• <b>Bonhams 4 June 2014:</b> China: The Camera Collection. An extensive collection of material from archives of John David Zumbrun and Camera Craft. Sold for US$ 317,000 inc. premium
    <b>Bonhams 4 June 2014:</b> Chernikhov, Yakov Geogievich. 1889-1951. <i>Architectural Cycles</i>. Sold for US$ 425,000 inc. premium
    <b>Bonhams 4 June 2014:</b> Turing, Alan Mathison. 1912-1954. On Computable Numbers, Application to the Entscheidungsproblem. Sold for US$ 50,000 inc. premium
    <b>Bonhams 4 June 2014:</b> CHERNIKHOV, YAKOV GEORGIEVICH. 1889-1951. Sold for US$ 173,000 inc. premium
    <b>Bonhams 4 June 2014:</b> GÖDEL, KURT. On Undecidable Propositions of Formal Mathematical Systems. Sold for US$ 47,500 inc. premium
    <b>Bonhams 4 June 2014:</b> FEYNMAN, RICHARD and LARRY GROBEL. Original Cassette Tape of an interview of Nobel prize winning physicist. Sold for US$ 37,500 inc. premium
    <b>Bonhams 5 June 2014:</b> A D-Day 48 star Ensign flown from LST-493, 6th June 1944. Sold for US$ 386,500 inc. premium
    <b>Bonhams 5 June 2014:</b> A Rare Enigma three rotor Enciphering Machine Germany circa 1942-44. Sold for US$ 92,500 inc. premium
    <b>Bonhams 5 June 2014:</b> Anonymous, alithographic poster, 1939. Sold for US$ 27,500 inc. premium
  • <b>Leslie Hindman Auctioneers:<br>Sale 322 - Fine Books and Manuscripts, August 6th.</b>
    <b>Leslie Hindman Auctioneers August 6th:</b> Lot 8. MACKENZIE, Alexander. <i>Voyages from Montreal</i>. London, 1801. First edition. Est. $3-5,000.
    <b>Leslie Hindman Auctioneers August 6th:</b> Lot 27. AUDUBON, John James. <i>The Birds of America</i>. New York and Philadelphia, [1839], 1840-1844. Est. $30-50,000.
    <b>Leslie Hindman Auctioneers August 6th:</b> AUDUBON, John James and John BACHMAN. <i>Viviparous Quadrupeds of North America</i>. New York, 1845-1848. 3 vols. Elephant folio edition. Est. $200-400,000.
    <b>Leslie Hindman Auctioneers:<br>Sale 322 - Fine Books and Manuscripts, August 6th.</b>
    <b>Leslie Hindman Auctioneers August 6th:</b> GREW, Nehemiah. <i>The Anatomy of Plants</i>. London, 1862. First edition. Est.: $1,500-2,500.
    <b>Leslie Hindman Auctioneers August 6th:</b> APIANUS, Petrus. <i>Cosmographia</i>. Cologne, 1574. With 5 plates, 4 with volvelles. Est. $7-9,000.
    <b>Leslie Hindman Auctioneers August 6th:</b> SMITH, Adam. <i>An Inquiry into the Nature and Causes of the Wealth of Nations</i>. London, 1776. 2 vols. First edition. Est. $60-80,000.
    <b>Leslie Hindman Auctioneers August 6th:</b> (LOUIS-PHILIPPE I) MCKENNEY AND HALL. <i>History of the Indian Tribes of North America</i>. Philadelphia, 1838, 1844. 3 vols. King Louis-Philippe I copy. Est. $140-180,000.
    <b>Leslie Hindman Auctioneers August 6th:</b> GREENER, Richard. Diploma of first African American man to graduate Harvard College. Est. $10-15,000.
    <b>Leslie Hindman Auctioneers August 6th:</b> (MIRO, Joan) <i>Lithographs I-VI</i>. New York and Paris, 1972, 1975, 1977, 1981 and 1992. 6 vols.<br>Est. $2-4,000.
    <b>Leslie Hindman Auctioneers August 6th:</b> HEMINGWAY, Ernest. <i>A Farewell to Arms</i>. New York, 1929. First edition. Est. $800-1,200.
  • <b>19th Century Shop</b>. 30th anniversary catalogue of landmark rare books, autographs and manuscripts, and historical photographs of all ages.
    <b>19th Century Shop</b>. Abraham Lincoln, "a previously unknown portrait of exceptional quality." From the collection of John Hay.
    <b>19th Century Shop</b>. <i>The Federalist</i> (1788). An important association copy in original boards, untrimmed.
    <b>19th Century Shop</b>. Isaac Newton. <i>Philosophiae Naturalis Principia Mathematica</i> (1687).
    <b>19th Century Shop</b>. Shakespeare's <i>Comedies, Histories, and Tragedies</i> (1632).
    <b>19th Century Shop</b>. John Rockefeller. Ambrotype, the earliest known photograph of Rockefeller.
    <b>19th Century Shop</b>. Muybridge, <i>Animal Locomotion</i> (1887) subscriber's copy.
  • <b>Sotheby's Paris on 19 June 2014:</b> DALI, BRETON, V. HUGO and GALA. <i>Surrealist portrait of Lenin</i>. 1932. Cadavre exquis signed by all four. On a postcard addressed to René Char. Estimate €15,000-20,000
    <b>Sotheby's Paris on 19 June 2014:</b> CELINE. <i>Voyage au bout de la nuit</i>. One of 20 copies on vélin d’Arches, inscribed to Roland Saucier and a binding by A. Cerutti. Estimate €80,000-120,000
    <b>Sotheby's Paris on 19 June 2014:</b> PROUST. <i>Autograph letter to Gaston Gallimard</i>, about the Jeunes filles en fleurs and his dreyffusian past. December 21, 1919. 4 pages. Estimate €10,000-15,000
    <b>Sotheby's Paris on 19 June 2014:</b> REVERDY. <i>La Lucarne ovale. 1916</i>. First edition. One of 6 copies on Japan paper. Binding by Jean de Gonet. With a letter by Pierre Albert-Birot. Estimate €28,000-35,000
    <b>Sotheby's Paris on 19 June 2014:</b> STENDHAL. <i>Histoire de la Peinture en Italie</i>. 1817. First edition, inscribed to count Kosakowsky.<br>Estimate €20,000-30,000
    <b>Sotheby's Paris on 19 June 2014:</b> BAUDELAIRE. Théophile Gautier. 1859. Exceptional copy with contemporary binding, inscribed to Edouard Manet.<br>Estimate €40,000-60,000
    <b>Sotheby's Paris on 19 June 2014:</b> OVIDIUS. [<i>Complete works</i>]. Venice, Aldus, 1502-1503. 17th cent. vellum. Estimate €3,000-5,000
    <b>Sotheby's Paris on 19 June 2014:</b> GIEGHER. <i>Le Tre trattati</i>. Padova, 1639. Contemporary binding. Estimate €8,000-12,000
    <b>Sotheby's Paris on 19 June 2014:</b> ROLEWINCK. <i>Fasciculus temporum</i>. Lyon, Huss, 1496. From the Seillières collection. Estimate €4,000-6,000
    <b>Sotheby's Paris on 19 June 2014:</b> AMUS. <i>32 autograph letters to Liliane Choucroun</i>. 1936-1952.<br>Estimate €60,000-80,000
    <b>Sotheby's Paris on 19 June 2014:</b> LA FONTAINE. <i>Fables</i>. 1668. Morocco by Bedford. First collective edition. Estimate €6,000-8,000
    <b>Sotheby's Paris on 19 June 2014:</b> ROUAULT. <i>Cirque de l’étoile filante</i>. Ambroise Vollard, 1938. Fine binding by Creuzevault. Copy on Japon Impérial. Estimate €30,000-50,000

AE Monthly

Book Catalogue Reviews - February - 2007 Issue

Colonial and Revolutionary American Maps (and a few more) from Arader Galleries

Original

Original Color from Arader Galleries.


By Michael Stillman

This month we review our first catalogue from the Arader Galleries of New York (also Philadelphia, San Francisco and Houston). The galleries are those of W. Graham Arader III, a veteran of almost four decades in rare books and related fields. Among the items they offer are rare books, maps, prints and paintings. The level and quality of the pieces offered are the highest.

This catalogue is titled Original Color, with the descriptive subheading "breathtaking maps with rarely seen full original color of the highest quality." This calls for a brief explanation of what constitutes "original color." In pre-19th century maps, color came from the hand-coloring of skilled artists, added to the black and white printing then available for maps. These maps required the ultimate in skill of "coloring within the lines," as the myriad boundaries, small islands, coves, and the like of geographical features required outstanding attention to detail, with little room for mistake by the artists assigned this task. However, when completed, these maps became works of art as well as the greatest source of geographical knowledge available.

Now for a caution: as Arader notes, contemporary (colored at roughly the same time as the map was produced) coloring adds greatly to the value of these old maps. Indeed, many were offered in both colored and uncolored versions, the uncolored sold to those of more limited financial means. Unfortunately, this has at times led later owners to color old maps in hopes of making them more valuable. This is somewhat akin to reprinting an old book and attempting to pass it off as an original edition. Perhaps it is not quite so blatantly dishonest as printing a fraudulent copy, and there is no law against coloring your old map, but the implication in a colored antiquarian map is that the coloring is part of its original presentation. Of course, in this case it is not, and detracts from the map's value rather than adding to it. As Arader notes, "Later color, which obscures the original form of an antique map and compromises its value, can never match the beautiful patina that pigments take on over the centuries." All of the maps in this catalogue are enhanced with original color.

There are maps from much of the world offered, including Europe, Asia and South America. However, the concentration is in North American maps. The dates are primarily from the American Revolutionary period or the years just preceding this time. The result is a valuable historic record of colonial America and the changes taking place during the second half of the 18th century. While describing maps is a virtually impossible endeavor, like attempting to describe a great painting, we will make a few feeble attempts so as to illustrate the type of material available herein. Prices are not given as they are not stated in the catalogue.

AE Monthly


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