• <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> FIRE OF LONDON. A True Pourtraict with a Brief Description Of that Deplorable Fire of London.<br>US$ 6,000 - 8,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MATHER, INCREASE. A Brief History of the Warr With the Indians in New-England. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> SALEM WITCH TRIALS. Manuscript Document variously signed. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> REVERE, PAUL. The Bloody Massacre perpetrated in King-Street Boston. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DRURY, JOTHAM. PLANNING THE BOSTON TEA PARTY. Autograph Document Signed. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> LEXINGTON AND CONCORD. Bloody Butchery by the British Troops. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DECLARATION OF INDEPENDENCE. The New-England Chronicle. US$ 50,000 - 70,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CORINTH, MISSISSIPPI IN 1862. Albumen print photograph. US$ 1,000 - 1,500.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> EMANCIPATION PROCLAMATION. By the President of the United States. US$ 15,000 - 20,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [EDISON, THOMAS ALVA. 1847-1931.] Engraved $1 Bill, Endorsed and Signed by Charles L. Clarke on face. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> BASEBALL. Boston Union Athletic Exhibition Company Grounds. US$ 15,000 - 25,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CASSIDY, BUTCH. Carte-de-visite police photograph.<br>US$ 20,000 - 30,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [BUFFALO BILL.] <i>The Great Train Hold-Up & Bandit Hunters of the Union Pacific</i>. US$ 3,000 - 5,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MCCLELLAND, GEORGE WILLIAM. Eniac-Birth Certificate of Computer Age. 1880-1955. Typed Letter Signed. US$ 6,000 - 8,000.
  • <b>Sotheby's New York: </b>F. Scott Fitzgerald. The Great Gatsby. New York: Charles Scribner's Sons, 1925.First edition, first issue in a near fine jacket.
    <b>Sotheby's New York: </b>Ernest Hemingway. The Sun Also Rises. New York: Charles Scribner's Sons, 1926. First edition, first issue.
    <b>Sotheby's New York: </b>Jack Kerouac. On the Road. New York: Viking, 1957. First edition, presentation copy.
    <b>Sotheby's New York: </b>JRR Tolkien. The Hobbit. London: George Allen & Unwin, Ltd., 1937. First edition, fine copy in jacket.
    <b>Sotheby's New York: </b>Vladimir Nabokov. Lolita. Paris: the Olympia Press, 1955. First edition presentation copy inscribed on the half-title.
    <b>Sotheby's New York: </b>Tennessee Williams. A Streetcar Named Desire. Norfolk, CT: New Directions, 1947. Inscribed by Tennesee Williams and Director Elia Kazan with additional inscriptions or signatures by all the cast members.
    <b>Sotheby's New York: </b>T.S. Eliot. The Waste Land. Richmond, Surrey: Printed and published by Leonard and Virignia Woolf, 1923. First English edition, nscribed to Eliot’s patroness Lady Mary Lilian Rothermere.
    <b>Sotheby's New York: </b>Ernest Hemingway. Three Stories and Ten Poems. Paris: Contact Publishing Co., 1923. A mint first edition presentation copy of Hemingway’s landmark first book.
    <b>Sotheby's New York, 1 April 2014: </b> A Modern Library: The Gordon Waldorf Collection.
    <b>Sotheby's New York: </b>William Faulkner. Light in August. New York: Harrison Smith & Robert Haas, 1932. First edition inscribed to Myrtle Ramey.
    <b>Sotheby's New York: </b>James Joyce. Ulysses. Paris: Shakespeare & Co, 1922. First edition, one of 150 press-numbered copies on vergé d’Arches.
    <b>Sotheby's New York: </b>F. Scott Fitzgerald. This Side of Paradise. New York: Charles Scribner's Sons, 1920. First edition with jacket in fine condition.
    <b>Sotheby's New York: </b>Dashiell Hammett. The Thin Man. New York: Alfred A. Knopf, MCMXXXIV. First American edition. A presentation copy inscribed.
    <b>Sotheby's New York: </b>Raymond Chandler. Farewell, My Lovely. New York: Knopf, 1940. First edition presentation copy, being a copy that Chandler originally retained, inscribed on the front endpaper.
    <b>Sotheby's New York: </b>J.D. Salinger. The Catcher in the Rye. Boston: Little, Brown, & Co., 1951. First edition.
    <b>Sotheby's New York: </b>Anthony Burgess. A Clockwork Orange. London: Heinemann, 1962. First edition and a rare presentation copy inscribed by the author.
  • <b>Sotheby's Paris:</b> MONTESQUIEU Refflexions sur le caractere de quelques Princes. [1734]. 68 autograph pages.<br>Estimate €150,000-200,000
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. (VERSAILLES) 12 SEPTEMBRE 1789. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. PARIS, 9 FÉVRIER 1790.<br>Estimate €15,000-20,000.
    <b>Sotheby's Paris:</b> SCHEDEL, Hartmann. Liber chronicarum. July 1493. Richly annotated by a French humanist.<br>Estimate €20,000-30,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> GAUGUIN, Paul. The first known letter to his wife Mette. 1883. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> MAURRAS, Charles. Letter to general Franco. 30 août 1935. And 5 first editions inscribed to Anatole France, Ramon Fernandez...<br>Estimate €8,000-12,000.
    <b>Sotheby's Paris:</b> PROUST. Placard for A l’ombre des jeunes filles en fleurs, with a long autograph passage, remained unpublished.<br>Estimate €30,000-40,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> [PROUST] – André GIDE. The draft for the famous letter from Gide to Proust repenting about his refusal to publish him. 10 or 11 January 1914. Estimate €100,000-150,000.
    <b>Sotheby's Paris:</b> DELAUNAY, Sonia. 3 drawings for La Prose du Transsibérien’s prospectus. 1913. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> CELINE. Voyage au bout de la nuit. 1932. André Breton’s copy with an inscription by Céline. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LINDBERGH, Charles. Photographic portrait, inscribed to Antoine de Saint-Exupéry. 1939. €2,500-3,500.
  • <b>19th Century Shop</b>. 30th anniversary catalogue of landmark rare books, autographs and manuscripts, and historical photographs of all ages.
    <b>19th Century Shop</b>. <i>The Federalist</i> (1788). An important association copy in original boards, untrimmed.
    <b>19th Century Shop</b>. Isaac Newton. <i>Philosophiae Naturalis Principia Mathematica</i> (1687).
    <b>19th Century Shop</b>. Important Age of Discovery manuscript (1512) with Christopher Columbus content.
    <b>19th Century Shop</b>. Alexander Gardner photograph portrait (1863), signed by Abraham Lincoln.
    <b>19th Century Shop</b>. John Rockefeller. Ambrotype, the earliest known photograph of Rockefeller.

AE Monthly

Reviews - December - 2006 Issue

19th Century Sea Charts From Shapero Rare Books

Blueback

Blueback (and other) Charts from Bernard J. Shapero.


By Michael Stillman

Here is a catalogue for those whose dreams are to sail the seas. It is a collection of sea charts, roadmaps for those who traveled by water rather than by land. The catalogue is Blueback Charts (in One Hundred Charts) and it comes from British bookseller Bernard J. Shapero Rare Books. There are 100 of these charts that were used as sea maps during the late 18th through the 19th century. There are charts for most areas of the world.

"Blueback" charts were those privately printed, as distinguished from those put out by the British Admiralty. The official charts were large and on high quality paper, but were not always so practical for those using them on the high seas. Mariners needed charts tough enough to withstand the elements at sea, and which opened into convenient sizes. In other words, ones that provided a section of coast to be navigated in a single map, rather than a huge foldout or atlas of an entire ocean. This need led to a group of private publishers who would use both official and independent information to create these maps of sea routes all over the world.

The term "blueback" comes from the tough, blue-colored paper backing used on these sea charts. The tough backing enabled the charts to survive conditions at sea that would have destroyed most typical maps.

While the title of the catalogue refers to the blueback charts, among the 100 being offered are official as well as private bluebacks. While most charts are British, there are also Spanish and American ones in the collection. Shapero provides an excellent explanation of the types of charts that were produced in the introduction to this catalogue, along with a description of the major publishers of these navigational charts. This being specialized work, there were only a handful of publishers throughout the 19th century who produced them.

To say that these charts display coastlines would be to point out the obvious, but many of the land features are islands. The oceans are filled with these little things, though I venture many of us are unaware of them. For example, item 19 is the Chart of the Islands and Reefs of the Laccadive Group. Do you know where these are located? The Laccadives are a group of small islands in the Arabian Sea, off the southwest coast of India (they are a part of that nation). Eleven of the islands are inhabited, though the total population is only around 60,000. All right. This was a trick question. "Laccadives" was the old British name. The islands are now known by their proper name, "Lakshadweep." If I had said that, you undoubtedly would have known where to find them. This chart was published by James Horsburgh in 1848. Priced at £350 (British pounds, or approximate US equivalent of $667).

AE Monthly


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