• <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> FIRE OF LONDON. A True Pourtraict with a Brief Description Of that Deplorable Fire of London.<br>US$ 6,000 - 8,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MATHER, INCREASE. A Brief History of the Warr With the Indians in New-England. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> SALEM WITCH TRIALS. Manuscript Document variously signed. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> REVERE, PAUL. The Bloody Massacre perpetrated in King-Street Boston. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DRURY, JOTHAM. PLANNING THE BOSTON TEA PARTY. Autograph Document Signed. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> LEXINGTON AND CONCORD. Bloody Butchery by the British Troops. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DECLARATION OF INDEPENDENCE. The New-England Chronicle. US$ 50,000 - 70,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CORINTH, MISSISSIPPI IN 1862. Albumen print photograph. US$ 1,000 - 1,500.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> EMANCIPATION PROCLAMATION. By the President of the United States. US$ 15,000 - 20,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [EDISON, THOMAS ALVA. 1847-1931.] Engraved $1 Bill, Endorsed and Signed by Charles L. Clarke on face. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> BASEBALL. Boston Union Athletic Exhibition Company Grounds. US$ 15,000 - 25,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CASSIDY, BUTCH. Carte-de-visite police photograph.<br>US$ 20,000 - 30,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [BUFFALO BILL.] <i>The Great Train Hold-Up & Bandit Hunters of the Union Pacific</i>. US$ 3,000 - 5,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MCCLELLAND, GEORGE WILLIAM. Eniac-Birth Certificate of Computer Age. 1880-1955. Typed Letter Signed. US$ 6,000 - 8,000.
  • <b>Sotheby's New York: </b>F. Scott Fitzgerald. The Great Gatsby. New York: Charles Scribner's Sons, 1925.First edition, first issue in a near fine jacket.
    <b>Sotheby's New York: </b>Ernest Hemingway. The Sun Also Rises. New York: Charles Scribner's Sons, 1926. First edition, first issue.
    <b>Sotheby's New York: </b>Jack Kerouac. On the Road. New York: Viking, 1957. First edition, presentation copy.
    <b>Sotheby's New York: </b>JRR Tolkien. The Hobbit. London: George Allen & Unwin, Ltd., 1937. First edition, fine copy in jacket.
    <b>Sotheby's New York: </b>Vladimir Nabokov. Lolita. Paris: the Olympia Press, 1955. First edition presentation copy inscribed on the half-title.
    <b>Sotheby's New York: </b>Tennessee Williams. A Streetcar Named Desire. Norfolk, CT: New Directions, 1947. Inscribed by Tennesee Williams and Director Elia Kazan with additional inscriptions or signatures by all the cast members.
    <b>Sotheby's New York: </b>T.S. Eliot. The Waste Land. Richmond, Surrey: Printed and published by Leonard and Virignia Woolf, 1923. First English edition, nscribed to Eliot’s patroness Lady Mary Lilian Rothermere.
    <b>Sotheby's New York: </b>Ernest Hemingway. Three Stories and Ten Poems. Paris: Contact Publishing Co., 1923. A mint first edition presentation copy of Hemingway’s landmark first book.
    <b>Sotheby's New York, 1 April 2014: </b> A Modern Library: The Gordon Waldorf Collection.
    <b>Sotheby's New York: </b>William Faulkner. Light in August. New York: Harrison Smith & Robert Haas, 1932. First edition inscribed to Myrtle Ramey.
    <b>Sotheby's New York: </b>James Joyce. Ulysses. Paris: Shakespeare & Co, 1922. First edition, one of 150 press-numbered copies on vergé d’Arches.
    <b>Sotheby's New York: </b>F. Scott Fitzgerald. This Side of Paradise. New York: Charles Scribner's Sons, 1920. First edition with jacket in fine condition.
    <b>Sotheby's New York: </b>Dashiell Hammett. The Thin Man. New York: Alfred A. Knopf, MCMXXXIV. First American edition. A presentation copy inscribed.
    <b>Sotheby's New York: </b>Raymond Chandler. Farewell, My Lovely. New York: Knopf, 1940. First edition presentation copy, being a copy that Chandler originally retained, inscribed on the front endpaper.
    <b>Sotheby's New York: </b>J.D. Salinger. The Catcher in the Rye. Boston: Little, Brown, & Co., 1951. First edition.
    <b>Sotheby's New York: </b>Anthony Burgess. A Clockwork Orange. London: Heinemann, 1962. First edition and a rare presentation copy inscribed by the author.
  • <b>Sotheby's Paris on 19 June 2014:</b> DALI, BRETON, V. HUGO and GALA. <i>Surrealist portrait of Lenin</i>. 1932. Cadavre exquis signed by all four. On a postcard addressed to René Char. Estimate €15,000-20,000
    <b>Sotheby's Paris on 19 June 2014:</b> CELINE. <i>Voyage au bout de la nuit</i>. One of 20 copies on vélin d’Arches, inscribed to Roland Saucier and a binding by A. Cerutti. Estimate €80,000-120,000
    <b>Sotheby's Paris on 19 June 2014:</b> PROUST. <i>Autograph letter to Gaston Gallimard</i>, about the Jeunes filles en fleurs and his dreyffusian past. December 21, 1919. 4 pages. Estimate €10,000-15,000
    <b>Sotheby's Paris on 19 June 2014:</b> REVERDY. <i>La Lucarne ovale. 1916</i>. First edition. One of 6 copies on Japan paper. Binding by Jean de Gonet. With a letter by Pierre Albert-Birot. Estimate €28,000-35,000
    <b>Sotheby's Paris on 19 June 2014:</b> STENDHAL. <i>Histoire de la Peinture en Italie</i>. 1817. First edition, inscribed to count Kosakowsky.<br>Estimate €20,000-30,000
    <b>Sotheby's Paris on 19 June 2014:</b> BAUDELAIRE. Théophile Gautier. 1859. Exceptional copy with contemporary binding, inscribed to Edouard Manet.<br>Estimate €40,000-60,000
    <b>Sotheby's Paris on 19 June 2014:</b> OVIDIUS. [<i>Complete works</i>]. Venice, Aldus, 1502-1503. 17th cent. vellum. Estimate €3,000-5,000
    <b>Sotheby's Paris on 19 June 2014:</b> GIEGHER. <i>Le Tre trattati</i>. Padova, 1639. Contemporary binding. Estimate €8,000-12,000
    <b>Sotheby's Paris on 19 June 2014:</b> ROLEWINCK. <i>Fasciculus temporum</i>. Lyon, Huss, 1496. From the Seillières collection. Estimate €4,000-6,000
    <b>Sotheby's Paris on 19 June 2014:</b> AMUS. <i>32 autograph letters to Liliane Choucroun</i>. 1936-1952.<br>Estimate €60,000-80,000
    <b>Sotheby's Paris on 19 June 2014:</b> LA FONTAINE. <i>Fables</i>. 1668. Morocco by Bedford. First collective edition. Estimate €6,000-8,000
    <b>Sotheby's Paris on 19 June 2014:</b> ROUAULT. <i>Cirque de l’étoile filante</i>. Ambroise Vollard, 1938. Fine binding by Creuzevault. Copy on Japon Impérial. Estimate €30,000-50,000
  • <b>19th Century Shop</b>. 30th anniversary catalogue of landmark rare books, autographs and manuscripts, and historical photographs of all ages.
    <b>19th Century Shop</b>. <i>The Federalist</i> (1788). An important association copy in original boards, untrimmed.
    <b>19th Century Shop</b>. Isaac Newton. <i>Philosophiae Naturalis Principia Mathematica</i> (1687).
    <b>19th Century Shop</b>. Important Age of Discovery manuscript (1512) with Christopher Columbus content.
    <b>19th Century Shop</b>. Shakespeare's <i>Comedies, Histories, and Tragedies</i> (1632).
    <b>19th Century Shop</b>. John Rockefeller. Ambrotype, the earliest known photograph of Rockefeller.
    <b>19th Century Shop</b>. Muybridge, <i>Animal Locomotion</i> (1887) subscriber's copy.

AE Monthly

Reviews - December - 2006 Issue

Oddities and Eccentricities from Garrett Scott

Scott18

Eccentrics, Enthusiasts and Marginal Poets from Garrett Scott.


By Michael Stillman

We receive many exciting catalogues here at the Americana Exchange, but none are more fascinating than the occasional collection that crosses our mailbox from Garrett Scott, Bookseller, of Ann Arbor, Michigan. These catalogues are not the most artistic we see. The books offered are not among the classics of western civilization nor world culture. The authors are not the great writers of this time or any other, nor are they highly regarded historians, scientists, teachers, preachers, or anything else. These works did not change the thinking of mankind. There is probably nothing in here that can be described as "important." You never heard of these works or their authors for good reason. Still, there is one positive term that can be used to describe these writings - "original." This catalogue is filled with the thoughts of original and creative writers, both ahead of and behind their times. Rationality and common sense never posed a limitation to their creative thinking. Within this catalogue, you will find ideas you have never encountered, such as will stretch your imagination beyond the boundaries of good sense, taste, rationality, and every other such artificial barrier we tend to place on creative thinkers.

The title of Scott's 18th catalogue is Eccentrics, Enthusiasts and Marginal Poets. That is a good title for this group, though perhaps "marginal" is a euphemism for "bad." This is a collection of bizarre, but eminently entertaining, titles from 19th and early 20th century America. Much of it is quite rare, as many of these authors could only make it into print by self-publishing their works. All were earnest in their beliefs, generally more so than those with more conventional ideas. This is a catalogue anyone who collects oddities must have, but it will appeal to those with predictable collections as well. Many touch on local issues or contain imprints of small communities. For example, Peoria collectors will read about turn of the century local personalities in Richard Burt's War Songs, Poems and Odes by Captain R.W. Burt, a poet little remembered for good reason. What collection of planetary astronomy would be complete without Vodisa and Willard Magoon's Willard M. Magoon, Psychic and Healer? Magoon informs us, after an out-of-body journey to Mars, that the Red Planet's natives "had their electrically driven automobiles long before horseless carriages were thought of on earth and they had powerful long radios long before Marconi was born." Or, for those who collect the who really wrote Shakespeare controversy, there is Man v' Ape in the Play of Ear-Ce-Rammed, by Philip Samuel. Along with digressions about evolution, Samuel comes down on the side of Francis Bacon. He was in a position to know, for Samuel was Bacon reincarnated. Honestly. Here are a few more.

AE Monthly


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