• <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> FIRE OF LONDON. A True Pourtraict with a Brief Description Of that Deplorable Fire of London.<br>US$ 6,000 - 8,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MATHER, INCREASE. A Brief History of the Warr With the Indians in New-England. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> SALEM WITCH TRIALS. Manuscript Document variously signed. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> REVERE, PAUL. The Bloody Massacre perpetrated in King-Street Boston. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DRURY, JOTHAM. PLANNING THE BOSTON TEA PARTY. Autograph Document Signed. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> LEXINGTON AND CONCORD. Bloody Butchery by the British Troops. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DECLARATION OF INDEPENDENCE. The New-England Chronicle. US$ 50,000 - 70,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CORINTH, MISSISSIPPI IN 1862. Albumen print photograph. US$ 1,000 - 1,500.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> EMANCIPATION PROCLAMATION. By the President of the United States. US$ 15,000 - 20,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [EDISON, THOMAS ALVA. 1847-1931.] Engraved $1 Bill, Endorsed and Signed by Charles L. Clarke on face. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> BASEBALL. Boston Union Athletic Exhibition Company Grounds. US$ 15,000 - 25,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CASSIDY, BUTCH. Carte-de-visite police photograph.<br>US$ 20,000 - 30,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [BUFFALO BILL.] <i>The Great Train Hold-Up & Bandit Hunters of the Union Pacific</i>. US$ 3,000 - 5,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MCCLELLAND, GEORGE WILLIAM. Eniac-Birth Certificate of Computer Age. 1880-1955. Typed Letter Signed. US$ 6,000 - 8,000.
  • <b>Sotheby's New York: </b>F. Scott Fitzgerald. The Great Gatsby. New York: Charles Scribner's Sons, 1925.First edition, first issue in a near fine jacket.
    <b>Sotheby's New York: </b>Ernest Hemingway. The Sun Also Rises. New York: Charles Scribner's Sons, 1926. First edition, first issue.
    <b>Sotheby's New York: </b>Jack Kerouac. On the Road. New York: Viking, 1957. First edition, presentation copy.
    <b>Sotheby's New York: </b>JRR Tolkien. The Hobbit. London: George Allen & Unwin, Ltd., 1937. First edition, fine copy in jacket.
    <b>Sotheby's New York: </b>Vladimir Nabokov. Lolita. Paris: the Olympia Press, 1955. First edition presentation copy inscribed on the half-title.
    <b>Sotheby's New York: </b>Tennessee Williams. A Streetcar Named Desire. Norfolk, CT: New Directions, 1947. Inscribed by Tennesee Williams and Director Elia Kazan with additional inscriptions or signatures by all the cast members.
    <b>Sotheby's New York: </b>T.S. Eliot. The Waste Land. Richmond, Surrey: Printed and published by Leonard and Virignia Woolf, 1923. First English edition, nscribed to Eliot’s patroness Lady Mary Lilian Rothermere.
    <b>Sotheby's New York: </b>Ernest Hemingway. Three Stories and Ten Poems. Paris: Contact Publishing Co., 1923. A mint first edition presentation copy of Hemingway’s landmark first book.
    <b>Sotheby's New York, 1 April 2014: </b> A Modern Library: The Gordon Waldorf Collection.
    <b>Sotheby's New York: </b>William Faulkner. Light in August. New York: Harrison Smith & Robert Haas, 1932. First edition inscribed to Myrtle Ramey.
    <b>Sotheby's New York: </b>James Joyce. Ulysses. Paris: Shakespeare & Co, 1922. First edition, one of 150 press-numbered copies on vergé d’Arches.
    <b>Sotheby's New York: </b>F. Scott Fitzgerald. This Side of Paradise. New York: Charles Scribner's Sons, 1920. First edition with jacket in fine condition.
    <b>Sotheby's New York: </b>Dashiell Hammett. The Thin Man. New York: Alfred A. Knopf, MCMXXXIV. First American edition. A presentation copy inscribed.
    <b>Sotheby's New York: </b>Raymond Chandler. Farewell, My Lovely. New York: Knopf, 1940. First edition presentation copy, being a copy that Chandler originally retained, inscribed on the front endpaper.
    <b>Sotheby's New York: </b>J.D. Salinger. The Catcher in the Rye. Boston: Little, Brown, & Co., 1951. First edition.
    <b>Sotheby's New York: </b>Anthony Burgess. A Clockwork Orange. London: Heinemann, 1962. First edition and a rare presentation copy inscribed by the author.
  • <b>Sotheby's Paris:</b> MONTESQUIEU Refflexions sur le caractere de quelques Princes. [1734]. 68 autograph pages.<br>Estimate €150,000-200,000
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. (VERSAILLES) 12 SEPTEMBRE 1789. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. PARIS, 9 FÉVRIER 1790.<br>Estimate €15,000-20,000.
    <b>Sotheby's Paris:</b> SCHEDEL, Hartmann. Liber chronicarum. July 1493. Richly annotated by a French humanist.<br>Estimate €20,000-30,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> GAUGUIN, Paul. The first known letter to his wife Mette. 1883. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> MAURRAS, Charles. Letter to general Franco. 30 août 1935. And 5 first editions inscribed to Anatole France, Ramon Fernandez...<br>Estimate €8,000-12,000.
    <b>Sotheby's Paris:</b> PROUST. Placard for A l’ombre des jeunes filles en fleurs, with a long autograph passage, remained unpublished.<br>Estimate €30,000-40,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> [PROUST] – André GIDE. The draft for the famous letter from Gide to Proust repenting about his refusal to publish him. 10 or 11 January 1914. Estimate €100,000-150,000.
    <b>Sotheby's Paris:</b> DELAUNAY, Sonia. 3 drawings for La Prose du Transsibérien’s prospectus. 1913. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> CELINE. Voyage au bout de la nuit. 1932. André Breton’s copy with an inscription by Céline. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LINDBERGH, Charles. Photographic portrait, inscribed to Antoine de Saint-Exupéry. 1939. €2,500-3,500.
  • <b>19th Century Shop</b>. 30th anniversary catalogue of landmark rare books, autographs and manuscripts, and historical photographs of all ages.
    <b>19th Century Shop</b>. <i>The Federalist</i> (1788). An important association copy in original boards, untrimmed.
    <b>19th Century Shop</b>. Isaac Newton. <i>Philosophiae Naturalis Principia Mathematica</i> (1687).
    <b>19th Century Shop</b>. Important Age of Discovery manuscript (1512) with Christopher Columbus content.
    <b>19th Century Shop</b>. Shakespeare's <i>Comedies, Histories, and Tragedies</i> (1632).
    <b>19th Century Shop</b>. John Rockefeller. Ambrotype, the earliest known photograph of Rockefeller.
    <b>19th Century Shop</b>. Muybridge, <i>Animal Locomotion</i> (1887) subscriber's copy.

AE Monthly

Reviews - December - 2012 Issue

Civil War Material from the William Reese Company

Reesebull28

The Civil War.

The William Reese Company has published their Bulletin 28: The Civil War. This is a selection of 32 items pertaining to that awful intramural skirmish, a terrible price paid to save the Union and rid it of the greatest stain on its character – slavery. Surely, there must have been a better way to accomplish this necessary goal, but unfortunately, cooler heads did not prevail. This collection includes books, maps, illustrations, manuscript letters and drawings, certificates, archives, and broadsides. Here are a few of these.

Item 32 is a rare copy of the final draft of the Confederate Constitution. We don't often think of such issues during the middle of war, but the constitutional laws and protections of the United States went out the window as far as the Confederate government was concerned. They had to quickly draft their own version, which was mostly based on that of the United States. There were some differences. This Constitution does more to protect the sovereignty of the individual states vis-a-vis the confederate government. It prohibits the use of federal funds for making internal improvements to facilitate commerce, other than certain small exceptions pertaining to rivers and harbors. It also prohibits taxes on foreign goods to promote any branch of industry, a tip of the hat to southern resentment of tariffs supported by the North to protect northern industry. The Confederate Constitution provided for a single, six-year term for the President. However, the major differences, as one would expect, pertain to slavery. Its immutable character is clearly spelled out. It states that no “law denying or impairing the right of property in negro slaves shall be passed,” that the property right in slaves shall not be impaired by traveling to a different state, and all new states that join the Confederacy must permit slavery. It specifies “negro slavery,” “negro slaves,” and “negroes of the African race,” racial specificity not made in the U.S. Constitution, just to be clear. One hundred copies of this final draft were authorized to be printed, but only five copies are known today. Priced at $175,000.

Item 4 is an archive of manuscript material of a prominent early Texan, George Washington Smyth. Smyth went to Texas and worked as a land surveyor for Mexican authorities. However, he later joined up with those seeking independence for Texas. Smyth was a signer of the Texas Declaration of Independence, was involved in writing the state constitution, and supported union with the United States. During the 1850s he served one term as a Congressman but declined to seek reelection. Smyth, like Sam Houston, was a strong opponent of secession, and among the items here is a manuscript copy of a speech he gave on July 4, 1860, expressing his opposition. He believed secession to be illegal. However, after Texas seceded the following year, he did support the Confederacy. $15,000.

AE Monthly


Review Search

Archived Reviews

Ask Questions