• <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> FIRE OF LONDON. A True Pourtraict with a Brief Description Of that Deplorable Fire of London.<br>US$ 6,000 - 8,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MATHER, INCREASE. A Brief History of the Warr With the Indians in New-England. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> SALEM WITCH TRIALS. Manuscript Document variously signed. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> REVERE, PAUL. The Bloody Massacre perpetrated in King-Street Boston. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DRURY, JOTHAM. PLANNING THE BOSTON TEA PARTY. Autograph Document Signed. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> LEXINGTON AND CONCORD. Bloody Butchery by the British Troops. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DECLARATION OF INDEPENDENCE. The New-England Chronicle. US$ 50,000 - 70,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CORINTH, MISSISSIPPI IN 1862. Albumen print photograph. US$ 1,000 - 1,500.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> EMANCIPATION PROCLAMATION. By the President of the United States. US$ 15,000 - 20,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [EDISON, THOMAS ALVA. 1847-1931.] Engraved $1 Bill, Endorsed and Signed by Charles L. Clarke on face. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> BASEBALL. Boston Union Athletic Exhibition Company Grounds. US$ 15,000 - 25,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CASSIDY, BUTCH. Carte-de-visite police photograph.<br>US$ 20,000 - 30,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [BUFFALO BILL.] <i>The Great Train Hold-Up & Bandit Hunters of the Union Pacific</i>. US$ 3,000 - 5,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MCCLELLAND, GEORGE WILLIAM. Eniac-Birth Certificate of Computer Age. 1880-1955. Typed Letter Signed. US$ 6,000 - 8,000.
  • <b>Sotheby's New York: </b>F. Scott Fitzgerald. The Great Gatsby. New York: Charles Scribner's Sons, 1925.First edition, first issue in a near fine jacket.
    <b>Sotheby's New York: </b>Ernest Hemingway. The Sun Also Rises. New York: Charles Scribner's Sons, 1926. First edition, first issue.
    <b>Sotheby's New York: </b>Jack Kerouac. On the Road. New York: Viking, 1957. First edition, presentation copy.
    <b>Sotheby's New York: </b>JRR Tolkien. The Hobbit. London: George Allen & Unwin, Ltd., 1937. First edition, fine copy in jacket.
    <b>Sotheby's New York: </b>Vladimir Nabokov. Lolita. Paris: the Olympia Press, 1955. First edition presentation copy inscribed on the half-title.
    <b>Sotheby's New York: </b>Tennessee Williams. A Streetcar Named Desire. Norfolk, CT: New Directions, 1947. Inscribed by Tennesee Williams and Director Elia Kazan with additional inscriptions or signatures by all the cast members.
    <b>Sotheby's New York: </b>T.S. Eliot. The Waste Land. Richmond, Surrey: Printed and published by Leonard and Virignia Woolf, 1923. First English edition, nscribed to Eliot’s patroness Lady Mary Lilian Rothermere.
    <b>Sotheby's New York: </b>Ernest Hemingway. Three Stories and Ten Poems. Paris: Contact Publishing Co., 1923. A mint first edition presentation copy of Hemingway’s landmark first book.
    <b>Sotheby's New York, 1 April 2014: </b> A Modern Library: The Gordon Waldorf Collection.
    <b>Sotheby's New York: </b>William Faulkner. Light in August. New York: Harrison Smith & Robert Haas, 1932. First edition inscribed to Myrtle Ramey.
    <b>Sotheby's New York: </b>James Joyce. Ulysses. Paris: Shakespeare & Co, 1922. First edition, one of 150 press-numbered copies on vergé d’Arches.
    <b>Sotheby's New York: </b>F. Scott Fitzgerald. This Side of Paradise. New York: Charles Scribner's Sons, 1920. First edition with jacket in fine condition.
    <b>Sotheby's New York: </b>Dashiell Hammett. The Thin Man. New York: Alfred A. Knopf, MCMXXXIV. First American edition. A presentation copy inscribed.
    <b>Sotheby's New York: </b>Raymond Chandler. Farewell, My Lovely. New York: Knopf, 1940. First edition presentation copy, being a copy that Chandler originally retained, inscribed on the front endpaper.
    <b>Sotheby's New York: </b>J.D. Salinger. The Catcher in the Rye. Boston: Little, Brown, & Co., 1951. First edition.
    <b>Sotheby's New York: </b>Anthony Burgess. A Clockwork Orange. London: Heinemann, 1962. First edition and a rare presentation copy inscribed by the author.
  • <b>Sotheby's Paris:</b> MONTESQUIEU Refflexions sur le caractere de quelques Princes. [1734]. 68 autograph pages.<br>Estimate €150,000-200,000
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. (VERSAILLES) 12 SEPTEMBRE 1789. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. PARIS, 9 FÉVRIER 1790.<br>Estimate €15,000-20,000.
    <b>Sotheby's Paris:</b> SCHEDEL, Hartmann. Liber chronicarum. July 1493. Richly annotated by a French humanist.<br>Estimate €20,000-30,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> GAUGUIN, Paul. The first known letter to his wife Mette. 1883. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> MAURRAS, Charles. Letter to general Franco. 30 août 1935. And 5 first editions inscribed to Anatole France, Ramon Fernandez...<br>Estimate €8,000-12,000.
    <b>Sotheby's Paris:</b> PROUST. Placard for A l’ombre des jeunes filles en fleurs, with a long autograph passage, remained unpublished.<br>Estimate €30,000-40,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> [PROUST] – André GIDE. The draft for the famous letter from Gide to Proust repenting about his refusal to publish him. 10 or 11 January 1914. Estimate €100,000-150,000.
    <b>Sotheby's Paris:</b> DELAUNAY, Sonia. 3 drawings for La Prose du Transsibérien’s prospectus. 1913. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> CELINE. Voyage au bout de la nuit. 1932. André Breton’s copy with an inscription by Céline. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LINDBERGH, Charles. Photographic portrait, inscribed to Antoine de Saint-Exupéry. 1939. €2,500-3,500.
  • <b>19th Century Shop</b>. 30th anniversary catalogue of landmark rare books, autographs and manuscripts, and historical photographs of all ages.
    <b>19th Century Shop</b>. <i>The Federalist</i> (1788). An important association copy in original boards, untrimmed.
    <b>19th Century Shop</b>. Isaac Newton. <i>Philosophiae Naturalis Principia Mathematica</i> (1687).
    <b>19th Century Shop</b>. Important Age of Discovery manuscript (1512) with Christopher Columbus content.
    <b>19th Century Shop</b>. Shakespeare's Comedies, Histories, and Tragedies (1632).
    <b>19th Century Shop</b>. John Rockefeller. Ambrotype, the earliest known photograph of Rockefeller.
    <b>19th Century Shop</b>. Muybridge, Animal Locomotion (1887) subscriber's copy.

AE Monthly

Reviews - August - 2012 Issue

75 Fine Books from Peter Harrington

Harrington84

75 fine books.

Peter Harrington has issued their 84th catalogue, Seventy-Five Fine Books. These are every bit as fine as the title says. This is a collection of important books, in top condition, in first or other important editions. There are not many you won't recognize. They range from early printings of antiquarian works to science, travel, literature and other fields. Many types of books are represented, with importance being the common thread. Here are a few.

In 1663, Robert Hooke placed some tiny specimens under his new, compound microscope. He was amazed by what he saw. Within a few years, so would the rest of the world. He began to see things invisible to the naked eye. He began placing everything under the microscope, and drawing what he saw. His drawing of a flea, the size of a bird, is probably the most famous, not to mention horrible sight he drew. The flea is not a handsome creature. He also gave us mosquitoes and fungi, but what was most important is that he gave us our first look at cells. He was the first to describe these basic units of tissue as being a “cell.” Item 12 is a first edition, first issue copy of Micrographia: or some Physiological Descriptions of Minute Bodies Made by Magnifying Glasses, published in 1655. It contains 38 plates of what Hooke saw. Priced at £65,000 (British pounds, roughly $101,780 U.S. dollars).

Item 42 is a very special copy of a work that is performed as a play every Christmas all over the world. That, naturally, is Charles Dickens' A Christmas Carol. There is no need to recount the plot line as everyone knows it. This copy is unique as it contains Dickens' inscription to “George Cattermole from his friend Charles Dickens, Eighth November 1845.” Cattermole was an artist and illustrator who illustrated a couple of Dickens' books. However, he was more than that. He was a close personal friend of the great writer. Dickens possessed a couple of his friend's paintings, and when Cattermole died, Dickens worked “tirelessly” to raise money to support his widow and children. This is a copy of the 1844 edition. £50,000 (US $78,230).

There is probably no greater book in western literature, certainly in English literature, than this one. Item 10 is a copy of Mr. William Shakespeares Comedies, Histories, and Tragedies. This was only the second appearance of his works, what is generally referred to as the Second Folio, published in 1632. After the playwright's death in 1616, it was likely that all of his great works would soon disappear. His plays had been performed, but they were not published. Fortunately, a group of his friends, realizing something needed to be done to preserve them, published this collection in 1623, in the edition known as the First Folio. Two more folio editions would be published in the 17th century, and then with the 18th century, countless editions of his various works would roll off of presses. The first edition is extremely difficult to find now, and all four folios are highly collectible. £385,000 (US $602,500).

Item 5 is the great work of the 16th century scientist William Gilbert. If you are wondering who gave electricity its name, it was Gilbert. That comes from the Greek word for amber, from which Gilbert created static electricity. Gilbert was particularly focused on magnetism, and concluded that the earth itself was a large magnet, that being the explanation for the working of a compass. He also was a strong supporter of the Copernican theory of the universe, long before Galileo's support of the same got him in serious trouble with ecclesiastical authorities. The title of Gilbert's book, published in 1600, is De Magnete, Magneticisque Corporibus, et de Magno Magnete Tellure. £30,000 (US $46,975).

AE Monthly


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