• <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> FIRE OF LONDON. A True Pourtraict with a Brief Description Of that Deplorable Fire of London.<br>US$ 6,000 - 8,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MATHER, INCREASE. A Brief History of the Warr With the Indians in New-England. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> SALEM WITCH TRIALS. Manuscript Document variously signed. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> REVERE, PAUL. The Bloody Massacre perpetrated in King-Street Boston. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DRURY, JOTHAM. PLANNING THE BOSTON TEA PARTY. Autograph Document Signed. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> LEXINGTON AND CONCORD. Bloody Butchery by the British Troops. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DECLARATION OF INDEPENDENCE. The New-England Chronicle. US$ 50,000 - 70,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CORINTH, MISSISSIPPI IN 1862. Albumen print photograph. US$ 1,000 - 1,500.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> EMANCIPATION PROCLAMATION. By the President of the United States. US$ 15,000 - 20,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [EDISON, THOMAS ALVA. 1847-1931.] Engraved $1 Bill, Endorsed and Signed by Charles L. Clarke on face. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> BASEBALL. Boston Union Athletic Exhibition Company Grounds. US$ 15,000 - 25,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CASSIDY, BUTCH. Carte-de-visite police photograph.<br>US$ 20,000 - 30,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [BUFFALO BILL.] <i>The Great Train Hold-Up & Bandit Hunters of the Union Pacific</i>. US$ 3,000 - 5,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MCCLELLAND, GEORGE WILLIAM. Eniac-Birth Certificate of Computer Age. 1880-1955. Typed Letter Signed. US$ 6,000 - 8,000.
  • <b>Sotheby's New York: </b>F. Scott Fitzgerald. The Great Gatsby. New York: Charles Scribner's Sons, 1925.First edition, first issue in a near fine jacket.
    <b>Sotheby's New York: </b>Ernest Hemingway. The Sun Also Rises. New York: Charles Scribner's Sons, 1926. First edition, first issue.
    <b>Sotheby's New York: </b>Jack Kerouac. On the Road. New York: Viking, 1957. First edition, presentation copy.
    <b>Sotheby's New York: </b>JRR Tolkien. The Hobbit. London: George Allen & Unwin, Ltd., 1937. First edition, fine copy in jacket.
    <b>Sotheby's New York: </b>Vladimir Nabokov. Lolita. Paris: the Olympia Press, 1955. First edition presentation copy inscribed on the half-title.
    <b>Sotheby's New York: </b>Tennessee Williams. A Streetcar Named Desire. Norfolk, CT: New Directions, 1947. Inscribed by Tennesee Williams and Director Elia Kazan with additional inscriptions or signatures by all the cast members.
    <b>Sotheby's New York: </b>T.S. Eliot. The Waste Land. Richmond, Surrey: Printed and published by Leonard and Virignia Woolf, 1923. First English edition, nscribed to Eliot’s patroness Lady Mary Lilian Rothermere.
    <b>Sotheby's New York: </b>Ernest Hemingway. Three Stories and Ten Poems. Paris: Contact Publishing Co., 1923. A mint first edition presentation copy of Hemingway’s landmark first book.
    <b>Sotheby's New York, 1 April 2014: </b> A Modern Library: The Gordon Waldorf Collection.
    <b>Sotheby's New York: </b>William Faulkner. Light in August. New York: Harrison Smith & Robert Haas, 1932. First edition inscribed to Myrtle Ramey.
    <b>Sotheby's New York: </b>James Joyce. Ulysses. Paris: Shakespeare & Co, 1922. First edition, one of 150 press-numbered copies on vergé d’Arches.
    <b>Sotheby's New York: </b>F. Scott Fitzgerald. This Side of Paradise. New York: Charles Scribner's Sons, 1920. First edition with jacket in fine condition.
    <b>Sotheby's New York: </b>Dashiell Hammett. The Thin Man. New York: Alfred A. Knopf, MCMXXXIV. First American edition. A presentation copy inscribed.
    <b>Sotheby's New York: </b>Raymond Chandler. Farewell, My Lovely. New York: Knopf, 1940. First edition presentation copy, being a copy that Chandler originally retained, inscribed on the front endpaper.
    <b>Sotheby's New York: </b>J.D. Salinger. The Catcher in the Rye. Boston: Little, Brown, & Co., 1951. First edition.
    <b>Sotheby's New York: </b>Anthony Burgess. A Clockwork Orange. London: Heinemann, 1962. First edition and a rare presentation copy inscribed by the author.
  • <b>Sotheby's Paris:</b> MONTESQUIEU Refflexions sur le caractere de quelques Princes. [1734]. 68 autograph pages.<br>Estimate €150,000-200,000
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. (VERSAILLES) 12 SEPTEMBRE 1789. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. PARIS, 9 FÉVRIER 1790.<br>Estimate €15,000-20,000.
    <b>Sotheby's Paris:</b> SCHEDEL, Hartmann. Liber chronicarum. July 1493. Richly annotated by a French humanist.<br>Estimate €20,000-30,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> GAUGUIN, Paul. The first known letter to his wife Mette. 1883. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> MAURRAS, Charles. Letter to general Franco. 30 août 1935. And 5 first editions inscribed to Anatole France, Ramon Fernandez...<br>Estimate €8,000-12,000.
    <b>Sotheby's Paris:</b> PROUST. Placard for A l’ombre des jeunes filles en fleurs, with a long autograph passage, remained unpublished.<br>Estimate €30,000-40,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> [PROUST] – André GIDE. The draft for the famous letter from Gide to Proust repenting about his refusal to publish him. 10 or 11 January 1914. Estimate €100,000-150,000.
    <b>Sotheby's Paris:</b> DELAUNAY, Sonia. 3 drawings for La Prose du Transsibérien’s prospectus. 1913. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> CELINE. Voyage au bout de la nuit. 1932. André Breton’s copy with an inscription by Céline. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LINDBERGH, Charles. Photographic portrait, inscribed to Antoine de Saint-Exupéry. 1939. €2,500-3,500.
  • <b>19th Century Shop</b>. 30th anniversary catalogue of landmark rare books, autographs and manuscripts, and historical photographs of all ages.
    <b>19th Century Shop</b>. <i>The Federalist</i> (1788). An important association copy in original boards, untrimmed.
    <b>19th Century Shop</b>. Isaac Newton. <i>Philosophiae Naturalis Principia Mathematica</i> (1687).
    <b>19th Century Shop</b>. Important Age of Discovery manuscript (1512) with Christopher Columbus content.
    <b>19th Century Shop</b>. Alexander Gardner photograph portrait (1863), signed by Abraham Lincoln.
    <b>19th Century Shop</b>. John Rockefeller. Ambrotype, the earliest known photograph of Rockefeller.

AE Monthly

Reviews - February - 2012 Issue

An “ABC” from ReadInk

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A-B-C from ReadInk.

ReadInk of Los Angeles has issued Another Book Catalog (aka Number 3). As the cover image will quickly reveal, that title contains the initials ABC. This is an ABC, or alphabet book, though not one designed for the young folk. Among the letters, we find “B” is for “booze,” “D” for “deranged,” “H” for “homicide,” “V” for “vanity.” This is a collection of works often unusual, uncommon, deservedly or undeservedly forgotten, a cross-section of American writing from the early to middle of the 20th century. As in any era, a few works emerge as classics, and similarly you will find some that are well regarded today, though it may be the items that were popular in their time, but not ours, that are the most interesting. Indeed, if your great-grandchildren someday want to learn about the doings of the Kardashians, the American Idols, or why we were so concerned about gay marriage, some future ReadInk catalogue will probably be the source for their answer. This is who we were... and are.

We will start with one from the “B is for booze” category. The title of this 1935 gem edited by Sterling North and Carl Kroch is So Red the Nose; or Breath in the Afternoon. You might think from that title this is a temperance tome, but that is hardly the case. Instead, it is a cocktail recipe book, with the recipes purportedly supplied by many of the great writers of the day. These gentlemen needed no designated writers to turn out their masterpieces. Of course, you would expect Ernest Hemingway to be included, and you would not be disappointed. Others might not have been as evident, but there are contributions from Edgar Rice Burroughs, Erskine Caldwell, Alexander Woollcott, Rockwell Kent, and Theodore Dreiser. Some are tongue-in-cheek, or at least we hope so, since Dreiser's “American Tragedy Cocktail” includes gunpowder, nitroglycerine, gasoline and a lighted match. Don't try this at home, kids. Priced at $400.

From “C is for cowboy” we have the autobiography of the first major movie cowboy, William S. Hart. Hart was no singing cowboy, since he mostly starred in silent films, but he spent many of his early years roping and whatever else cowboys do in the Dakotas. Nonetheless, the title of Hart's 1929 book is My Life East and West. That's because Hart was born in Newburgh, north of New York City, hardly a western address. Actually, George Washington spent the early days of the Revolution there too, but it was a much tougher town in Hart's time than Washington's, when all he had to worry about were Redcoats. Newburgh, New York, is the Wild East. Hart would move on to Hollywood, where he parlayed his experiences into film stardom. He has inscribed this copy to his frequent co-star Jane Novak, with the comment “Scrub damn you scrub.” Presumably, this is a line from a film or some other in-joke. $600.

Next we go from a Hollywood cowboy to a Hollywood call boy. From “Q is for queer” we find the obsession with homosexuality was even greater in the last century than it is today. Much more so. Even attempts to be sympathetic in those days had to treat it as some kind of horrible derangement, to be pitied if not condemned. This 1967 paperback is entitled I am a Hollywood Call Boy, by Mark Shelby. “What sex AM I?” asks the protagonist. “I sell my body to the highest bidder – man, woman, faggot, lesbian, switch-hitter – or what have you! I commute from Sodom to Gomorrah. The sadists, the masochists, the voyeurs, the fetishists, the multi-perverts – I know them all – and they know me...and you can say that again!” I won't, because of space limitations, but you get the drift. This is not great literature (and you can say that again!), but it reflects its era as well if not better than the more notable works of the 60s. $50.

“I is for Incorporation,” and if corporations are people, this one is a very bad person. From 1949 we find E.E. Rice's book about that most infamous of “corporations,” Murder, Inc. Described as “The hair-raising story in pictures of America's bloodiest crime ring,” this book is filled with photos of notable criminals, on the streets, at trial, being arrested, occasionally dead or dying. You will get to meet all those legendary personalities whose names are associated with criminal enterprises of the day – Al Capone, Legs Diamond, Dutch Schultz, Frank Costello, and Lucky Luciano. If you want to invite these characters into your home, it is best to do so through pictures. $65.

AE Monthly


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