• <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> FIRE OF LONDON. A True Pourtraict with a Brief Description Of that Deplorable Fire of London. Sold for US$ 6,875 inc. premium.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MATHER, INCREASE. A Brief History of the Warr With the Indians in New-England. Sold for US$ 45,000 inc. premium.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> SALEM WITCH TRIALS. Manuscript Document variously signed. Sold for US$ 6,875 inc. premium.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> REVERE, PAUL. The Bloody Massacre perpetrated in King-Street Boston. Sold for US$ 100,000 inc. premium.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> LEXINGTON AND CONCORD. Bloody Butchery by the British Troops. Sold for US$ 118,750 inc. premium.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DECLARATION OF INDEPENDENCE. The New-England Chronicle. Sold for US$ 257,000 inc. premium.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> EMANCIPATION PROCLAMATION. By the President of the United States. Sold for US$ 15,000 inc. premium.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> BASEBALL. Boston Union Athletic Exhibition Company Grounds. Sold for US$ 15,000 inc. premium.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MCCLELLAND, GEORGE WILLIAM. Eniac-Birth Certificate of Computer Age. 1880-1955. Typed Letter Signed. Sold for US$ 13,750 inc. premium.
  • <b>Sotheby's New York: </b>F. Scott Fitzgerald. The Great Gatsby. New York: Charles Scribner's Sons, 1925.First edition, first issue in a near fine jacket.
    <b>Sotheby's New York: </b>Ernest Hemingway. The Sun Also Rises. New York: Charles Scribner's Sons, 1926. First edition, first issue.
    <b>Sotheby's New York: </b>Jack Kerouac. On the Road. New York: Viking, 1957. First edition, presentation copy.
    <b>Sotheby's New York: </b>JRR Tolkien. The Hobbit. London: George Allen & Unwin, Ltd., 1937. First edition, fine copy in jacket.
    <b>Sotheby's New York: </b>Vladimir Nabokov. Lolita. Paris: the Olympia Press, 1955. First edition presentation copy inscribed on the half-title.
    <b>Sotheby's New York: </b>Tennessee Williams. A Streetcar Named Desire. Norfolk, CT: New Directions, 1947. Inscribed by Tennesee Williams and Director Elia Kazan with additional inscriptions or signatures by all the cast members.
    <b>Sotheby's New York: </b>T.S. Eliot. The Waste Land. Richmond, Surrey: Printed and published by Leonard and Virignia Woolf, 1923. First English edition, nscribed to Eliot’s patroness Lady Mary Lilian Rothermere.
    <b>Sotheby's New York: </b>Ernest Hemingway. Three Stories and Ten Poems. Paris: Contact Publishing Co., 1923. A mint first edition presentation copy of Hemingway’s landmark first book.
    <b>Sotheby's New York, 1 April 2014: </b> A Modern Library: The Gordon Waldorf Collection.
    <b>Sotheby's New York: </b>William Faulkner. Light in August. New York: Harrison Smith & Robert Haas, 1932. First edition inscribed to Myrtle Ramey.
    <b>Sotheby's New York: </b>James Joyce. Ulysses. Paris: Shakespeare & Co, 1922. First edition, one of 150 press-numbered copies on vergé d’Arches.
    <b>Sotheby's New York: </b>F. Scott Fitzgerald. This Side of Paradise. New York: Charles Scribner's Sons, 1920. First edition with jacket in fine condition.
    <b>Sotheby's New York: </b>Dashiell Hammett. The Thin Man. New York: Alfred A. Knopf, MCMXXXIV. First American edition. A presentation copy inscribed.
    <b>Sotheby's New York: </b>Raymond Chandler. Farewell, My Lovely. New York: Knopf, 1940. First edition presentation copy, being a copy that Chandler originally retained, inscribed on the front endpaper.
    <b>Sotheby's New York: </b>J.D. Salinger. The Catcher in the Rye. Boston: Little, Brown, & Co., 1951. First edition.
    <b>Sotheby's New York: </b>Anthony Burgess. A Clockwork Orange. London: Heinemann, 1962. First edition and a rare presentation copy inscribed by the author.
  • <b>Sotheby's Paris on 19 June 2014:</b> DALI, BRETON, V. HUGO and GALA. <i>Surrealist portrait of Lenin</i>. 1932. Cadavre exquis signed by all four. On a postcard addressed to René Char. Estimate €15,000-20,000
    <b>Sotheby's Paris on 19 June 2014:</b> CELINE. <i>Voyage au bout de la nuit</i>. One of 20 copies on vélin d’Arches, inscribed to Roland Saucier and a binding by A. Cerutti. Estimate €80,000-120,000
    <b>Sotheby's Paris on 19 June 2014:</b> PROUST. <i>Autograph letter to Gaston Gallimard</i>, about the Jeunes filles en fleurs and his dreyffusian past. December 21, 1919. 4 pages. Estimate €10,000-15,000
    <b>Sotheby's Paris on 19 June 2014:</b> REVERDY. <i>La Lucarne ovale. 1916</i>. First edition. One of 6 copies on Japan paper. Binding by Jean de Gonet. With a letter by Pierre Albert-Birot. Estimate €28,000-35,000
    <b>Sotheby's Paris on 19 June 2014:</b> STENDHAL. <i>Histoire de la Peinture en Italie</i>. 1817. First edition, inscribed to count Kosakowsky.<br>Estimate €20,000-30,000
    <b>Sotheby's Paris on 19 June 2014:</b> BAUDELAIRE. Théophile Gautier. 1859. Exceptional copy with contemporary binding, inscribed to Edouard Manet.<br>Estimate €40,000-60,000
    <b>Sotheby's Paris on 19 June 2014:</b> OVIDIUS. [<i>Complete works</i>]. Venice, Aldus, 1502-1503. 17th cent. vellum. Estimate €3,000-5,000
    <b>Sotheby's Paris on 19 June 2014:</b> GIEGHER. <i>Le Tre trattati</i>. Padova, 1639. Contemporary binding. Estimate €8,000-12,000
    <b>Sotheby's Paris on 19 June 2014:</b> ROLEWINCK. <i>Fasciculus temporum</i>. Lyon, Huss, 1496. From the Seillières collection. Estimate €4,000-6,000
    <b>Sotheby's Paris on 19 June 2014:</b> AMUS. <i>32 autograph letters to Liliane Choucroun</i>. 1936-1952.<br>Estimate €60,000-80,000
    <b>Sotheby's Paris on 19 June 2014:</b> LA FONTAINE. <i>Fables</i>. 1668. Morocco by Bedford. First collective edition. Estimate €6,000-8,000
    <b>Sotheby's Paris on 19 June 2014:</b> ROUAULT. <i>Cirque de l’étoile filante</i>. Ambroise Vollard, 1938. Fine binding by Creuzevault. Copy on Japon Impérial. Estimate €30,000-50,000
  • <b>19th Century Shop</b>. 30th anniversary catalogue of landmark rare books, autographs and manuscripts, and historical photographs of all ages.
    <b>19th Century Shop</b>. <i>The Federalist</i> (1788). An important association copy in original boards, untrimmed.
    <b>19th Century Shop</b>. Isaac Newton. <i>Philosophiae Naturalis Principia Mathematica</i> (1687).
    <b>19th Century Shop</b>. Important Age of Discovery manuscript (1512) with Christopher Columbus content.
    <b>19th Century Shop</b>. Shakespeare's <i>Comedies, Histories, and Tragedies</i> (1632).
    <b>19th Century Shop</b>. John Rockefeller. Ambrotype, the earliest known photograph of Rockefeller.
    <b>19th Century Shop</b>. Muybridge, <i>Animal Locomotion</i> (1887) subscriber's copy.

AE Monthly

Reviews - November - 2004 Issue

Vintage Paperbacks From Black Ace Books

R4a

Vintage paperbacks from Black Ace Books


By Michael Stillman

This month we review not only the catalogue of a new bookseller, but a new type of catalogue as well. Black Ace Books of Los Angeles specializes in paperbacks. Paperbacks are the stepchildren of the book world. They inhabit a back alley world of shame and degradation, along with such depraved institutions as television. You would not want to be in the company of one. You would certainly not place one on your bookshelves. No, paperbacks are not to be collected like good books. They are to be read in the dark of night when no one is looking.

Then something happens. Television may be disreputable, but old shows become classics. Old advertising, thoroughly insipid if not downright offensive in its day, becomes collectible. Perhaps it's camp, or aging people trying to hold onto their youth. Maybe it's just a simple recognition that great literature is the exception, the aberration of our culture, whereas the paperback represents its heartland. This material did not win many awards. It was not taught in school. But, for better or worse, it was read.

The nice thing about paperbacks, even old ones like these, is they are still priced to be read. You can affordably purchase them just for the joy, or whatever, of reading them. However, if you are looking for a genre to collect, and your budget does not permit collecting "collectible" books, you can still get in on the ground floor with paperbacks. There's nothing in this catalogue over $40, and that's the rare exception. There are only half a dozen titles over $20, and that's out of hundreds available. And if that's not enough, Black Ace provides substantial discounts for buying multiple titles, from 10% for two up to 40% off for 25.

The customs for collecting paperbacks are somewhat different from those of hardbacks. Usually you will find hardbacks listed by subject, author, or perhaps time period. Black Ace's catalogue is listed by publisher. Bantam, Ballantine, Pocket, Dell and many more, both familiar and obscure. Ironically, it's the way books of the highest quality of printers, such as the Limited Editions Club, are listed. Descriptions are sparse by comparison. Generally, the title itself explains what the book is about. There are no thorough descriptions and histories gathered from important bibliographies in this field. If the bookseller does not read each of these titles and provide a complete description, they can be forgiven. What do you want for a book that sells for $10? And you won't find much more information beyond author and title on the internet either. If a title intrigues, you will just have to read the book yourself.

AE Monthly


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