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AE Monthly

AE Reviews

 
A Century of Posters from Burkhard Sulzen

The Cabinet of Dr. Caligari on the latest Burkhard Sulzen catalogue.


By Michael Stillman

It can be hard to appreciate a catalogue written in a language you do not understand. Then again, there are always exceptions. One such exception is Katalog 14 from Burkhard Sulzen of Berlin: 53 Stummfilmplakate 1913-1926 & 116 schone und seltene Plakate verschiedener Themen 1888-1989. I can read hardly a word of German, and were it not for the magic of Google Translate, could not tell you that this title roughly means "53 silent film poster from 1913-1926 and 116 beautiful and rare posters on various topics from 1888-1989." Nevertheless, I could have told you that this is an exciting catalogue, and the posters, all of which are shown, speak for themselves without need of translation (and some of these posters are in English anyway). Some of the posters are sinister, others fun, but each was intended to sell its audience on something, whether a product in trade or someone's political point of view. Here are just a few of these posters and their fascinating looks at their times.

Item 9 is one of those silent film posters, for Die Hochzeit im Excentric Club, the Wedding at the Eccentric Club. This was a mystery directed by Joe May, but it also began the career of Fritz Lang, who did the screenplay. Lang would go on to write, with the help of his actress wife Thea von Harbou, film classics such as The Testament of Dr. Mabuse, M, and one of the greatest of silent films, Metropolis, a look at an eerie futuristic city where management lives in resplendent luxury high in the skyscrapers, while workers toil in horrific conditions underground. Lang could not have realized even worse horrors would soon be visiting his real world. Opposed to the rising Nazi regime, which von Harbou supported, they divorced in 1933, and the following year he fled the country. Lang would go on to have a long career in Hollywood. Priced at €2,800 (euros, or approximately $3,453 U.S. dollars).

Item 44 is a portrait for the Austrian opening of a silent classic, Das Cabinet des Dr. Caligari (The Cabinet of Dr. Caligari) in 1920. It is an early horror film, featuring the murderous Dr. Caligari and his sleepwalking assistant, a story with a totally unexpected ending. €60,000 ($73,966).

Item 64 is a poster you might not expect to find in Germany. It is for the Press Ball in Dresden on February 1, 1907. What is unusual is the title, Wild-West. Evidently the American West was the subject for this ball, as the poster depicts an Indian on horseback, feathers in his hair, and teepees in the background. A dancing couple to the side looks more like stereotypical Pacific Islanders, but it is unlikely historic accuracy was important to the revelers. €480 (US $591).

A Century of Posters from Burkhard Sulzen

Karmann Ghias and racial stereotypes.


Blues music was generated in America, but the prophets who created it were rarely recognized in their homeland. It may have spawned rock 'n roll, but it never had the mainstream following of its descendant, that is to say, it never seriously reached white audiences. However, in the 1960s, European white youths, already fans of rock, became deeply interested in that music's roots. What they found were American blues musicians who had made their mark decades earlier. Their response was overwhelming. These musicians may never have been particularly welcomed in America, but they were great hits in Europe. From 1962-1970, the great living blues legends of America toured England and the Continent, participating in what was known as the American Folk Blues Festival. The main promoters were Germans Horst Lippmann and Fritz Rau, and they may have done more than just about anyone to bring these great but aging musicians the recognition they deserved. Their music became the progenitor of much of the British invasion music, the likes of the Beatles and Rolling Stones beginning their careers covering earlier American blues songs. Item 75 is a poster for the festival's appearance in Germany in 1964, and among the legends appearing that year were Lightnin' Hopkins, Howlin' Wolf, Willie Dixon, and Sonny Boy Williamson (who died the following year). €180 ($221).

I never really understood why this car didn't sell more in America. Item 99 is a circa late 1950s poster for Volkswagen's Karmann Ghia. The Ghia was essentially a Beetle on the inside, but on the outside it had the swift and attractive lines of a sports car. Sure, it wouldn't have won many checkered flags on the track. About the only car it could have held its own again was the underpowered Beetle, since mechanically it was the same. However, for a few hundred dollars more, instead of a dumpy Beetle, you could own this stylish automobile that looked like it could go a lot faster than it could. €580 (US $714).

Item 130 is a poster from another era, circa 1930, when the portrayal of different races and ethnicities could be something less than respectful. This is an advertisement for Abadie cigarette papers, a roll your own item. Shown are four different men enjoying their Abadie rolled cigarettes. Shown are an African, a Chinese man, and what are perhaps a Japanese and an Indian. They are stereotypical in the unflattering way of that age. €820 (US $1,010).

Political posters from 1930s Germany tend to be ugly, but this one from after the war might better be described as ridiculous. From the German Democratic Republic (East Germany) in 1952 this poster shows three fresh-faced youths (much like typically seen in Nazi propaganda), but these young people are admiring a portrait of Joseph Stalin. The message is Stalin Das Ist Der Frieden (Stalin This Is The Peace). Stalin was hardly the image of peace, but fortunately, the robust looking Stalin depicted was about as accurate as the message. Stalin was dying that year, and only after his death could the world slowly work its way toward East-West peace. Item 148. €280 (US $344).

A Century of Posters from Burkhard Sulzen

Just two of 18 erotic posters.


The catalogue concludes with a collection of 18 posters that are appealing in a way different from the others. These are 18 erotic posters from the 1980s, and this collection should definitely appeal to half of the world's population. Item 152. €380 (US $467).

Burkhard Sülzen may be reached at 030-3903 6376 or b.suelzen@gmx.de. The website is www.plakatkontor.de.