The Volkmann Collection Concludes with a Sale May 8th
- By Bruce McKinney
By Bruce McKinney
On May 8th, the third and final portion of the Daniel G. Volkmann, Jr. Collection of rare and collectible printed material will pass before the gaze of dealers and collectors and under the hammer of PBA Galleries. This sale brings to a close the long collecting career of Mr. Volkmann who joined the fray in 1969, entering right as his Mother exited left. It was upon her death, upon inheriting her collection that he assumed the burden, responsibity and pleasure of completing what she began: the acquisition of a complete collection of the Zamorano 80, building an extensive collection of Californiana and assembling an unusally complete collection of California press books. In this, the final sale, the dispersal of 448 lots of what is an extensive collection of California press books along with a few items unsold from previous sales and other items retained as personal favorites, the curtain falls and the chapter closes on the career of an inveterate collector.
Mr. Volkmann, an architect by trade, has perhaps built his most imposing edifice in the ephemeral, even ethereal construction of his collections. Together they are an imposing mass, most pieces from previous sales already flown to dealers, libraries and collectors. This, the final part, no doubt will travel the same path, the pieces to reemerge as the "Volkmann copy" one at a time in dealer catalogues, in libraries, at shows and in auctions far into the future. Those who collect books may hope for immortality only to be judged and dismissed. The Volkmann material will make the cut and be remembered for the solid, workman-like approach, employed over thirty-eight years.
In previous sales [2003 and 2005] some reserves were set toward the high side. Mr. Volkmann had more time and patience then for an unsatisfactory outcome. If material did not sell it was "So be it. There will be another day." Bruce McMakin, senior vice president of PBA explained, "In this sale there has been an effort to establish attractive estimates and Mr. Volkmann has agreed that fully ninety percent of the lots will change hands so long as the bid reaches at least half the low estimate." The material, long held, is clearly now intended to be dispersed. For collectors this presents opportunities.
The following items have been identified by PBA as significant, collectible and in some cases potentially inexpensive enough to be accessible to the fledgling collector:
Lot 118. Adams, Ansel Easton. Parmelian Prints of the High Sierras. Printed in San Francisco in 1927 by Jean Chambers Moore.
18 unsigned photographs, 8x6.25; or the reverse, with letterpress captions beneath on sheets measuring approximately 12x9.75, each loose in an individual folio with letterpress title; together with the printed title page, colophon, dedication to Albert M. Bender and plate list. Housed in a restored silk-lined portfolio of black cloth (original front cloth retained but not used in restoration of portfolio). One of a projected edition of 150 copies of which approximately 75 copies were completed. All letterpress printed by the Grabhorn Press. Individual prints unsigned but the portfolio signed by Adams in 1980 on dedication leaf. "[Adams] made all the Parmelian prints on Kodak Vitava Athena Grade T Parchment, a cream-colored, gelatin silver paper that is translucent when held up to the light ... Although Ansel later remembered that he completed about a hundred sets, some were destroyed in a warehouse fire, leaving approximately seventy-five that were sold and delivered" (Ansel Adams: A Biography, pp 60-2). Robert Cahn, writing for Sierra Magazine, offers: "Adams" photographic career took a quantum leap in 1926 when Albert Bender, an enterprising San Francisco friend of the wealthy and of artists, "Discovered" Adams' photographs and decided they should be published. Bender selected a group of the prints and contacted a prominent San Francisco publisher who agreed to produce the portfolios...In a few hours, Bender had sold 56 copies sight unseen, and Adams' first published work...was on its way." GB 95. Estimated $50,000 to $80,000.
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The Volkmann Collection Concludes with a Sale May 8th
- By Bruce McKinney
An early Ansel Adams portfolio.
Lot 75. Melville, Herman. Moby-Dick; or, The Whale. Printed in San Francisco in 1979 by the Arion Press.
577 pp. Illustrated with 100 wood engravings by Barry Moser; plus an original pen-and-ink sketch "Call Me Ishmael" signed by Moser matching wave illustration on page 2; and an unused printed illustration for the work signed by Moser, both laid in. 15x10, full blue Moroccan goatskin, spine lettered in silver, blue cloth slipcase. 1 of 265 copies (of which 250 were for sale) printed by Andrew Hoyem at the Arion Press, in handset Goudy Modern on paper handmade by Barcham Green at Hayle Mill. One of the masterpieces from the Arion Press, a superb printing of this American literary high spot, with striking illustrations drawn and engraved by Barry Moser. William Everson wrote in Fine Print: "Historically, the two great typographical edifices of West Coast printing are the Grabhorn Leaves of Grass and the Nash Divine Comedy. Now the Arion Press Moby-Dick takes its place beside them. This constitutes a feat of craftsmanship unexcelled in modern printing." Includes 6 related paper items: prospectus booklet, invitation, order form, autograph letter signed by Andrew Hoyem (on letterhead) to Patrick Perry dated May 30, 1978 discussing Moby Dick and the special edition of "about 25 copies" etc., the original mailing envelope to Mr. Perrym and an autograph note by Margaret Green (of Arion Press), all laid in. Estimated $7,000 to $10,000.
Lot 38. [Lowell, James Russell]. The Vision of Sir Launfal [Excerptus]. Printed in San Francisco in 1943 by the Allen Press.
3.75x4.5, silk-screened cloth over boards, string-tied inside, housed in recent 1/4 green morocco & fine cloth drop-back box with gilt-titled spine, interior with specially fitted section for book. 1 of 75 copies printed on all-rag paper by Lewis & Dorothy Allen. The third book from the Allen Press. Allen Press Biblio. 3. Estimated $5,000 to $8,000.
Lot 307. Shakespeare, William. Original Leaves from the First Four Folios of the Plays of William Shakespeare, 1623, 1632, 1663, 1685. Printed in San Francisco by the Grabhorn Press for David McGee.
Introduction by Edwin Eliott Willoughby. With an original leaf from each of the four folios tipped in; and facsimiles of the titles of the four folios. (Folio) 14.5x9.75, 1/4 red morocco and patterned paper over boards, spine lettered in gilt. No. 37 of 65 copies on Whatman paper, printed by The Grabhorn Press. The original leaves are as follows: first folio, The Winter's Tale, pp.293-294; second folio, The First Part of King Henry the Fourth, pp.59-60 (an old marginal ink note); third folio, The Tragedy of Macbeth, pp.727-728; fourth folio, The Tragedy of Hamlet, pp.81-82. GB 234.
Estimated $4,000 to $7,000
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The Volkmann Collection Concludes with a Sale May 8th
- By Bruce McKinney
A collectible Arion Press work.
Lot 381. Ritchie, Ward. Laguna Verde Imprenta, 1975-1987. Printed in Laguna Beach in 1988 by Ward Ritchie.
Unpaginated. 10.25x7.75, red morocco backed boards, slipcase. One of 50 copies. Signed by Ritchie at the colophon. A bibliography of the first twenty-six items of ephemera, books, etc. produced by Laguna Verde. Entries illustrated with original engravings, facsimiles etc.
Estimated $2,000 to $3,000
Links are provided here for other stories published about the Volkmann collection and its sale over the past five years, along with the listings for the current sale:
Zamorano 80 collection sold by Dorothy Sloan [February 2003].
The Daniel G. Volkmann, Jr. Collection of Californiana [February 2005].
The Daniel G. Volkmann, Jr. Collection of Fine California Press Books.
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