The Library of Ben and Bernarda Shahn from Lorne Bair and Between the Covers
- By Michael Stillman
From the library of Ben and Bernarda Shahn.
Lorne Bair Rare Books, together with Between the Covers, has issued a catalogue of 101 Books from the Library of Ben and Bernarda Bryson Shahn. Ben Shahn was one of America's most notable artists of the 20th century. His reputation as a painter was born of the Great Depression. After dabbling in modern art at a younger age, he developed a style of social realism. His paintings were meant to portray the struggles of ordinary people, workers, and others on the lower rungs of the societal ladder. His politics, not surprisingly to the left, directed his art.
During the height of the Depression, Shahn worked for the Farm Security Administration. The FSA was created to help poor farmers through these very difficult times, but as part of its work, perhaps from a publicity standpoint, it hired on a group of photographers to capture the plight of those in rural America. Shahn taught himself photography, thereby becoming both an accomplished painter and photographer.
One of his coworkers at FSA was Bernarda Bryson. She was also a painter, and later became his second wife. Though never gaining the reputation of her husband, she was quite accomplished in her own right. Ben Shahn died in 1969, but Bernarda lived all the way until 2004, when she died at the age of 101. She continued to paint and exhibit well into her nineties.
All of the books in this catalogue come from the Shahns' library. Most were received during their years together, though there are many from the years of Bernarda's widowhood, that being such a long time. A special bookplate has been designed by their son, which is included with each of these books. Here are a few of them.
One of the greatest of Depression-era photographers, and the Shahns' colleague at FSA, was Walker Evans. His photographs of Alabama sharecroppers in the 1930s is perhaps the classic photographic depiction of rural, Depression poverty. Ben Shahn had met Evans a few years earlier when both were developing their interest in connecting art to social concerns. They remained close friends and collaborators for the rest of Shahn's life. Item 27 is Evans' American Photographs, published by the New York Museum of Modern Art in 1961. In contains an inscription from Walker to the Shahns. Priced at $12,500.
Item 28 offers a longer inscription from Evans to Shahn, though it is written in a copy of American Horse-Drawn Vehicles, by Jack D. Rittenhouse. Written on Nov. 22, 1968, Evans begins "Dear Old Dr. Ben," making light of both of their having honorary degrees, and notes how both were getting old. Evans also speaks of a planned visit, though Bair notes it's unclear whether that ever took place as Shahn, who died the following March, was already quite ill. $1,800.
Here is a book documenting the work of the FSA photographers: Home Town. Photographs by Farm Security Photographers. This 1940 book was edited by Edwin Rosskam, with text by Sherwood Anderson. At least 17 of the photographs within were taken by Shahn. This was his personal copy, and does show signs of use (condition is good only). It was inscribed to Shahn by Rosskam. Item 1. $2,500.
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The Library of Ben and Bernarda Shahn from Lorne Bair and Between the Covers
- By Michael Stillman
Edward R. Murrow and Fred Friendly inscribe Murrow's book to Shahn.
By the 1950s, there would be a new set of political issues to confront. It was the era of the Red Scare, and in 1954, television journalist Edward R. Murrow took on the red-baiting Senator from Wisconsin, Joseph McCarthy. Shahn was so impressed with Murrow's courage that he produced two drawings, one featuring David and Goliath, the other St. George and the Dragon. Each used the likenesses of Murrow and McCarthy to make its point. He sent one to Murrow and the other to producer Fred Friendly. It was undoubtedly in response to these gifts that Shahn received a copy of Murrow's See It Now (named for his television program), inscribed to him by both Murrow and Friendly. Item 35. $1,200.
Item 52 is a signed copy of Poet Marianne Moore's Tell Me, Tell Me: Granite, Steel, and Other Topics, published in 1966. However, Shahn did not receive it from Moore. Instead, it came from Ben Sackheim, a noted New York advertising executive who retired to a second career as a bookseller in Tucson. Sackheim would send out signed copies of books to his friends at Christmas, along with a humorous note, which is included. This one tells of Ms. Moore's being called on by Ford Motors to come up with a name for their new car in 1955. The thinking was a poet would have a way with words. Sackheim notes some of Moore's suggestions: Mongoose Civique, Taper Racer, Andante Con Moto, and Dearborn Diamente. All were rejected. Indeed, one can see how bad her ideas were by Ford's ultimate choice of a name for the creation of their $250 million project - the Edsel. The only thing worse than the name was the car. $400.
Item 101 is Art As A Function Of Government: A Survey. This pamphlet was put out by the WPA Federal Art Project in 1938. Even in the midst of the Depression, the government was funding works of art, keeping America's artists employed until better times returned. It seems hard to imagine today that there would be funding for such projects, though times are not nearly as bad. Perhaps our priorities have changed. $100.
To find out more about this catalogue or purchase items from it, contact Lorne Bair Rare Books at 540-665-0855 or info@lornebair.com. The website is www.lornebair.com.
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